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Top Austin Art Shows to See This Fall

Explore some of the city’s best upcoming art exhibitions, shows and events

05_Moki Cherry_Title Unknown (Dragon)_1975_M
Moki Cherry, Title Unknown (Dragon), 1975. Textile appliqué tapestry. (Photo by Anders Sune Berg/Courtesy Galleri Nicolai Wallner)

Austin’s fall art season brings a strong lineup of shows worth seeing. Whether collecting, browsing, or just looking to spend time around beautiful works, the months ahead offer plenty of reasons to get out and explore.

A gallery view of Hayley Labrum’s solo exhibition, “Where the Copper Hills Meet the Salt Water,” at Martha’s.
A gallery view of Hayley Labrum’s solo exhibition, “Where the Copper Hills Meet the Salt Water,” at Martha’s. (Photo courtesy of Martha’s)

“Where the Copper Hills Meet the Salt Water”

Martha’s Gallery
September 11 – October 3

In her solo exhibition “Where the Copper Hills Meet the Salt Water,” Hayley Labrum combines hyperreal portraits and religious imagery with copper pipes, mesh, salt and fabric. Drawing on her Utah upbringing, the works examine environmental pollution, the influence of the LDS Church and her decision to leave the faith.


Regina Durante Jestrow’s “Painting 14 (Log Cabin),” 2026, is made with hand-dyed cotton, acrylic, lamé fabric, canvas, felt and thread. (Courtesy of Ivester Contemporary)
Regina Durante Jestrow’s “Painting 14 (Log Cabin),” 2026, is made with hand-dyed cotton, acrylic, lamé fabric, canvas, felt and thread. (Photo courtesy of Ivester Contemporary)

“Strips, Stripes, Pieces, Parts” and “Parlour Tricks”

Ivester Contemporary
September 11 – October 17

Two solo exhibitions at Ivester Contemporary take different approaches to abstraction and storytelling. Regina Durante Jestrow’s “Strips, Stripes, Pieces, Parts” features sculptural textile works made from strips of dyed, painted and repurposed fabric arranged into geometric patterns. In “Parlour Tricks,” Christine Garvey uses vivid, surreal paintings of distorted bodies and theatrical illusions to explore motherhood, mythology and women’s identities.


Aineki Traverso’s “I Beheld the Wretch,” 2024, oil on canvas, at McLennon Pen Co. Gallery.
Aineki Traverso’s “I Beheld the Wretch,” 2024, oil on canvas, at McLennon Pen Co. Gallery. (Photo courtesy of McLennon Pen Co.)

“Silencio en El Fondo”

McLennon Pen Co. Gallery
September 12 – October 11

Aineki Traverso completed the works in “Silencio en el fondo” while spending August as McLennon Pen Co.’s summer artist-in-residence. Her dreamlike paintings combine partially obscured figures, landscapes and washes of color to reflect the unreliable ways people remember their bodies, families and pasts. Some continue across multiple panels and around gallery corners, creating a story that shifts as viewers move through the space.


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Moki Cherry, Title Unknown, 1970. Acrylic on card. (Photo by Tom Van Eynde/
Courtesy of Corbett vs Dempsey)

“The Living Temple: The World of Moki Cherry”

The Contemporary Austin – Jones Center
September 18, 2026 – January 17, 2027

“The Living Temple: The World of Moki Cherry” surveys the late Swedish artist’s vibrant, multidisciplinary practice through textiles, costumes, paintings, ceramics, posters and video. The Contemporary Austin is presenting the largest U.S. exhibition of Cherry’s work to date, alongside collage workshops, vinyl listening sessions and other events listed on the museum’s online calendar.


“Masquerade,” Ostillo’s inaugural exhibition, explores identity, disguise and performance through works by 14 artists
“Masquerade,” Ostillo’s inaugural exhibition, explores identity, disguise and performance through works by 14 artists. (Photo by Cassie Butterfield)

“Masquerade”

Ostillo Art Foundation
September 19 – June 2027

Masks appear as both physical objects and metaphors in “Masquerade,” the inaugural exhibition at Ostillo. Curated by Sacha Zerbib, the show uses painting, sculpture, photography and assemblage by 14 contemporary artists to consider how people construct, conceal and perform identity.


“Bridge to Paris,” 2026, combines acrylic, colored pencil, oil, oil stick, paper, tea leaves and tea bag paper on panel. (Courtesy of ICOSA)
Vy Ngo’s “Bridge to Paris,” 2026. (Photo courtesy of ICOSA)

“Contrapuntals”

Icosa Collective
September 25 – October 24

Two artists look at what colonialism leaves behind in “Contrapuntals.” Intel Lastierre creates fluid paintings that move between flesh and landscape, while Vy Ngo uses paintings, architectural references and found materials to reflect on Vietnam’s layered history of occupation. The exhibition opens with a reception Sept. 25 from 7 to 10 p.m., followed by an artist talk Oct. 15.


Bunny’s Mandara (2024) by Lady Aiko. Spray paint, silkscreen and acrylic on canvas. (Courtesy of the artist)
“Bunny’s Mandara” (2024) by Lady Aiko. (Courtesy of Lady Aiko)

“Concrete to Canvas”

West Chelsea Contemporary
September 25 – November 1 

Lady AIKO, Logan Hicks and Joe Iurato bring their distinct approaches to street art together in “Concrete to Canvas,” an exhibition inspired by the people, architecture and visual rhythms of city life. The opening reception on Sept. 26 includes an artist talk with all three featured artists.


"Layers Like Limestone" by Riley Williamson and Sara Aleyce Roma of Favored Channels, viewed during WaterWork 2024.
“Layers Like Limestone” by Riley Williamson and Sara Aleyce Roma of Favored Channels, viewed during WaterWork 2024. (Photo by Ryan Conway)

WaterWork

Seaholm Intake Facility
September 25–26

Twenty-two Central Texas artists will transform the Seaholm Intake Facility into a projection-mapped light show featuring site-specific video works designed around the building’s architecture. The visuals begin at dusk each night and can be viewed from Auditorium Shores, the Pfluger Pedestrian Bridge and other locations along the trail. Limited tickets are also available to watch the show from an open-air pontoon boat.


Accretions by Haas Brothers
Haas Brothers, Mixed “Accretions.” Hand thrown and accreted porcelain, gold luster and brass plate. (Photo by Joe Kramm/Courtesy of Haas Brothers)

“Haas Brothers: Uncanny Valley”

Blanton Museum of Art
September 27, 2026 – Jan 17, 2027

The Blanton’s new exhibition features more than 80 works by Austin-raised artists Simon and Nikolai Haas, including fantastical trees, furry chairs and other intricately crafted objects. On Oct. 18, Blanton All Day: A Very Haas Halloween features live music, art talks and creative activities inspired by the exhibition.


Hunter Ash’s “Relentless Pursuit,” 2026, at Verdant Gallery.
Hunter Ash’s “Relentless Pursuit,” 2026. (Photo courtesy of Verdant Gallery)

“Valleys Made High” and “Returning Home, The Quiet of Undoing”

Verdant Gallery
October 1 – November 22

Verdant Gallery presents two solo exhibitions exploring abstraction and change. In “Returning Home, the Quiet of Undoing,” Andrew Long builds, scrapes and sands layers of paint in a process guided by intuition, while Hunter Ash’s “Valleys Made High” uses abstracted landscapes to consider impermanence, hope and the possibility of renewal. A joint opening reception takes place Oct. 1 from 5 to 8 p.m.


NateSeay
Art by Nate Seay. (Photo courtesy of Gallery Dojo)

“Dojo: Place of the Way”

Gallery Dojo
October 3 – December 31

“Dojo: Place of the Way” introduces Gallery Dojo through work by 20 artists from across the country. Spanning realism, surrealism, romanticism and more expressive styles, the exhibition highlights a new generation of representational painters grounded in storytelling and technical craft. The gallery celebrates its grand opening Oct. 3 from 5 to 8 p.m


Thomas Campbell
Works by Thomas Campbell. (Photo courtesy of Preacher Gallery)

“Recency Bias”

Preacher Gallery
October 16 – November 5

Preacher Gallery will open “Recency Bias,” a show of new work by California artist and surf filmmaker Thomas Campbell, on Friday, Oct. 16. Campbell’s colorful, graphic style draws on surf and skate culture, with loose figures, patterns and handwritten text appearing throughout his work. The exhibition includes paintings, ceramics, bronze sculptures and sewn pieces. The reception runs from 6 to 9 p.m., and the show remains on view through Nov. 5.


The Contemporary Austin's The Very ‘Rary event at Laguna Gloria. (Photo by Matt Borkowski for The Contemporary Austin)
The Contemporary Austin’s The Very ‘Rary event at Laguna Gloria. (Photo by Matt Borkowski for The Contemporary Austin)

The Very ‘Rary

Laguna Gloria
October 18 | 1–5 p.m.
Tickets: $40 general, $35 for members, free for kids under 4

This annual event at Laguna Gloria turns the sculpture park into a surrealist playground, with live music, theremin performances, mask-making, costumed creatures, and interactive installations woven through the grounds. Visitors can join collaborative art projects, explore hidden corners of the site, and take part in a range of all-ages activities. Proceeds support The Contemporary Austin’s K–12 education programs.

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